Honda UMK435T U2NT Brush Cutter, 35.8 cc
2 Stroke Back Pack Petrol Brush Cutter, 52 CC
2 Stroke Back Pack Petrol Brush Cutter, 52 CC with Bend Tiller Attachment
2 Stroke Back Pack Petrol Brush Cutter, 52 CC with Chainsaw Attachment
2 Stroke Back Pack Petrol Brush Cutter, 52 CC with Straight Tiller Attachment
2 Stroke Side Pack Petrol Brush Cutter 52cc With Multi Attachments
4 Stroke Back Pack Petrol Brush Cutter, 31 CC
4 Stroke Back Pack Petrol Brush Cutter, 31 CC with Bend Tiller
4 Stroke Back Pack Petrol Brush Cutter, 31 CC with Chainsaw Attachment
4 Stroke Back Pack Petrol Brush Cutter, 31 CC with Straight Tiller
4 Stroke GX35 Back Pack Petrol Brush Cutter, 35 CC
4 Stroke Side Pack Petrol Brush Cutter With Multi Attachments
Husqvarna 131R Brush Cutter, 1.2 HP
Makita EM2500U Petrol Brush Cutter, 24.5 CC
Makita RBC411U Petrol Brush Cutter, 40.2 cc
Mitsuyama 4 Stroke Back Pack Petrol Brush Cutter Without Paddy Gaurd, 35 CC
Mitsuyama Multi-Attachment 4 Stroke Back Pack Petrol Brush Cutter, 35 CC
Husqvarna 236R 1.2kW 33cm Brush Cutter
Makita EM3400U Petrol Brush Cutter, 34 CC
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.





