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2 Tyne Adjustable Ridger for 7 & 9HP Power Tiller
2T Blade for all types of Brush Cutter
3T Blade for all types of Brush Cutter
40T Alloy Blade for all types of Brush Cutter
6T Star Blade for all types of Brush Cutter
80T Alloy Blade for all types of Brush Cutter
Alpha A1200 Recoil Start Generator, 1kva
Aluminum Tap & Go for all types of Brush Cutter
Aluminum Whipped Cream Dispenser – 500ml with 3 Nozzles and Cleaning Brush (Commercial andIndustrial Use)
Automatic 6n40 Rice Mill with Vibrator Attachment, 3HP, 150-200 kg/hr
Automatic Continuous MS Vertical Band Sealer Machine 3kg
Automatic Domestic Roti and Papad Making Machine, 90-100 Roti per Hour
Automatic Gas Operated Egg Sausage Roll, 10 cones
Automatic Stainless Steel Kadukash Machine With 1 HP Motor
Balwaan 2 Stroke Engine Oil P-82W, 500 ml
Balwaan 2T Blade for Brush Cutter, Diamond Cut
Balwaan 33 No. HTP Sprayer with 6.5HP Engine BHE-33 and 50 Meter Hose
Balwaan 3T Blade for Brush Cutter
Balwaan 4 Stroke Engine Oil P-92W, 500 ml
Balwaan 40T TCT Blade for Brush Cutter
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.