2 In 1 Stainless Steel Pulverizer, 2 HP
50 Kg Stainless Steel Potato Peeler Machine, 2 HP
7 Inch Stainless Steel Namkeen Machine, 1 HP
9 Inch Stainless Steel Namkeen Machine, 1 HP
Stainless Steel 9 Inch Namkeen Machine with 1 HP
Automatic Chaff Cutter With 2 HP Motor
Automatic Mini Chaff Cutter with Roller, 2 HP Motor
Corn Threaser Cum Peeler Machine, 2 HP
Electric Chaff Cutter Machine With 2 HP Motor
Crompower 2 HP 4 Pole 1440 RPM Single Phase Foot Mounted AC Induction Motor With One Year Warranty
Crompower 2 Hp 4 Pole 1440 RPM Three Phase Foot Mounted Cast Iron Body AC Induction Motor With One Year Warranty
Crompower 2Hp Single Phase Foot Mounted AC Induction Motor, 4 Pole, 1440 RPM Sheet Metal Body With 1 Year Warranty
Induction Motor 2 HP Single Phase 1440 RPM
Induction Motor 2 HP Three Phase 1440 RPM
Manual And Motor Operated Chaff Cutter, 2 HP
Mini Corn Threaser Machine, 2 HP
Sai Shakti Stainless Steel Gravy Machine, 2 HP
Stainless Steel Gravy Machine, 2 HP
Stainless Steel Onion Cutter, 2 HP
Husqvarna 143R-II Brush Cutter, 2 HP
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.





